Pages

Tuesday, December 10, 2019

Tashkent and Tbilisi Exhibitions - Dilyara Kaipova Ends the Year with a Flourish

Central Asia's most innovative textile artist, Dilyara Kaipova, has ended 2019 with two sensational solo exhibitions.

Red deer and Gorbachev. Worked folk art suzani by Dilyara Kaipova

The Tashkent exhibition "North Lights of the South" was held at Zero Line Gallery, Tashkent's premier exhibition space.

Kaipova explored the colonization of Uzbekistan - often referred to as "the south" during the Russian and Soviet periods - and the specific character of these periods.

From the 1960s through the 1990s, traditional naive embroidery forms were embellished with heroes of films, illustrations from Soviet magazines or postcards, quotes or verses of their own essays.

In reference to the Gorbachev piece above, Kaipova stitched Gorbachev into the embroidery as a marker of the time and place of the famous "jump into the void." What are the shifts that have occurred in traditional cultures since then?

As well as embroideries, Kaipova created chapans (Uzbek traditional coat) reflecting this theme.

Chapan "Pushkin" of cotton quilted fabric



dilyara kaipova textile exhibitions tbilisi tashkent, ikat textile fantasies dilyara kaipova, ikat art pieces dilyara kaipova
Embroidery on fabric "Gorky" - Maxim Gorky was the most published author of the USSR

dilyara kaipova textile exhibitions tbilisi tashkent, ikat textile fantasies dilyara kaipova, ikat art pieces dilyara kaipova
Chapan "Sputnik" - When the Soviets began using Sputnik in their propaganda, they emphasized pride in the achievement of Soviet technology, arguing that it demonstrated the Soviets' superiority over the West. People were encouraged to listen to Sputnik's signals on the radio and to look out for Sputnik in the night sky.

Kaipova's sensibility meshes well with the street art and fashion scene of Tbilisi, current European capital of cool. It is at the glorious Georgian State Silk Museum until 16 December. If you are in Georgia now this is a must-see exhibition. It is made possible through a travel grant of the Goethe Institute's program Kultur in Bewegung (Culture in motion).

All textiles that are produced as exhibition objects are ikats, handwoven according to Kaipova’s sketches by the masters from Margilan in the Fergana Valley.

The exhibition builds on her earlier work about national self-identification, the intervention of "alien bodies" into national culture and the urgent globalization processes of the modern world. The exhibition also includes Kaipova’s photos and a slide show of art objects in the interiors or exteriors of traditional Uzbek houses.

dilyara kaipova textile exhibitions tbilisi tashkent, ikat textile fantasies dilyara kaipova, ikat art pieces dilyara kaipova
Chapan with Pushkin, Soviet star and almond. Kaipova's Tbilisi exhibition
dilyara kaipova textile exhibitions tbilisi tashkent, ikat textile fantasies dilyara kaipova, ikat art pieces dilyara kaipova
Chapan - Homage to Gagarin. Kaipova's Tbilisi exhibition

dilyara kaipova textile exhibitions tbilisi tashkent, ikat textile fantasies dilyara kaipova, ikat art pieces dilyara kaipova
Wall hanging Alien. Kaipova's Tbilisi exhibition
dilyara kaipova textile exhibitions tbilisi tashkent, ikat textile fantasies dilyara kaipova, ikat art pieces dilyara kaipova
Dilyara Kaipova, 3rd from left, with museum staff at the exhibition opening, Tbilisi.

Related posts:
The Fantasy World of Uzbek Textile Artist Dilyara Kaipova
Dilyara Kaipova Strikes Again at the International Applied Arts Festival, Tashkent 
Dilyara Kaipova Conquers Bishkek at the Asanbay Center
Buy Original Ikat Items by Dilyara Kaipova - Uzbekistan's Foremost, Modern Textile Designer 
Dilyara Kaipova Takes on New York

Sunday, December 1, 2019

Citizenship Tastes Sweet to Kyrgyzstan Beekeeper

kyrgyzstan honey art craft, kyrgyzstan ends statelessness, kyrgyzstan traditions
Abdusamat Saparovat at his bee farm
In July this year, Kyrgyzstan became the first country in the world to end statelessness. The lawyer who spearheaded the work, Azizbek Ashurov, was named the winner of the $150,000 UN Nansen Refugee Award prize.

Ashurov was motivated by his own family's struggle to achieve Kyrgyz citizenship after arriving from Uzbekistan. Working closely with the Kyrgyz government, his organization, Ferghana Valley Lawyers Without Borders (FVLWB) has been offering free legal assistance to displaced, stateless, and undocumented people.

This inspiring story, written by Kate Bond, was published on the UNHCR website on 30 September 2019 and is posted here with permission.

A breeze brushes through the grass. Donkeys meander along a dirt track. Amid a puff of grey smoke, Abdusamat Saparov opens the first of his 38 beehives.

He smiles, pleased with their progress. Three months ago, when he first bought these colonies, there were 4,000 bees in every box. Now, just like his own dreams, they are thriving, with each holding a whopping 10,000. Their neatly painted, wooden hives dot a patch of land surrounded by yurts and cattle, in the foothills of southern Kyrgyzstan’s mountains.

"It was my dream to be a beekeeper," says Abdusamat. "It’s the process, I like the process of taking care of bees. Of course," he adds, chuckling, "I also love the result, which is honey."

kyrgyzstan honey art craft, kyrgyzstan ends statelessness, kyrgyzstan traditions
Abdusamat Saparov beautiful hives

While his life now has a serene charm, it has been a monumental struggle for 54-year-old Abdusamat to achieve it. Born in Uzbekistan when it was still part of the Soviet Union, he fell in love and married a Kyrgyz woman in 1987, and the pair moved across the border to Kyrgyzstan. The country is "special," he says. "It has an ideal environment – ideal conditions and ideal flowers for the bees."

However, in 1995, his beekeeping hopes were shattered when a new law following the dissolution of the Soviet Union four years earlier left hundreds of thousands of people with invalid passports across Central Asia. Like many, the Saparov family became stateless overnight.

Statelessness blights the lives of millions of people worldwide. Those living without a legal identity document are often denied access to basic rights such as free movement, health care, education and employment.

Without citizenship, Abdusamat was unable to obtain the necessary license for beekeeping and forced to take odd jobs in construction, as he attempted to navigate a bureaucratic nightmare. "It was so difficult," he says, shaking his head. "I didn’t understand the paperwork and my applications for citizenship were refused."

Finally, in 2014, government officials put him in touch with Ferghana Valley Lawyers Without Borders. The organization has spent the last 16 years helping to end statelessness in Kyrgyzstan, in what is being deemed a historic first.

kyrgyzstan honey art craft, kyrgyzstan ends statelessness, kyrgyzstan traditions
Azizbek Ashurov, the lawyer who assisted the Saparov family, takes a honey taste test.

Azizbek Ashurov, 38, was one of the lawyers who helped resolve the family’s case. It took five years.
"I knew it was his life’s dream to open a bee farm," he says. "But it was a very difficult case, because Abdusamat no longer had his old Soviet passport. So, we took it step by step. We started with his wife, because she was from Kyrgyzstan and that was simple. Then we applied for citizenship for the children."

Finally, in April this year, Abdusamat became a citizen. "The first thing he did was register for his beekeeping licence," recalls Ashurov.

After years of working in construction, it took Abdusamat just 20 days to build the hives. Each was lovingly painted white, yellow and blue. Distant relatives, who take their cattle into the mountains each summer, were quick to offer this new beekeeper a plot to place them.

"Our family has a lot of land here, " says 21-year-old Gulzada Ahmedova, the eldest daughter of the family. "We have lived on this land for centuries. We understand how important this is for him. It’s humanity."

kyrgyzstan honey art craft, kyrgyzstan ends statelessness, kyrgyzstan traditions
Abdusamat Saparov's dream fulfilled

Twice a week, Abdusamat takes the bus from Osh, Kyrgyzstan’s second-largest city, to spend the day with his hives. Once, he was stung 53 times. Now, he says it is painless. Recently, his daughter started advertising his honey online and the orders have come in thick and fast.

"They’re very smart," he says of the bees, with a happy chuckle. "When it’s too hot, they collect water and sprinkle it over the hives. They can fly up to 10,000 kilometres to find flowers. They can even find their home by smell."

Citizenship was the key that opened up his world. Although, ironically, the bees themselves already had their documents in order. "Bees need papers," says Abdusamat. "You need permission from the national beekeeping association. All of my bees have their documents. If even bees have documents, then people should too. Everybody needs to belong."

Related posts:
Kyrgyzstan Ends Statelessness in Historic First
Kyrgyzstan: Social Entrepreneur Finds Foothold in Tien Shan Foothills
Kyrgyz Woman Singer Remakes Poem Traditionally Sung By Men
Tea with Bread and Jam – a Traveller’s Appreciation of the Finer Things in Kyrgyz Life

Thursday, November 14, 2019

Suzanis in Art

Recently I posted an article about Ikat Textiles in Art. It was hugely popular, so I thought I would follow it up with this piece on suzanis depicted in artworks.

suzanis in art works, uzbekistan emborideries suzanis, art craft textile tours uzbekistan
Suzani Background, Robert Falk, 1943

The Robert Falk oil on canvas, above, is displayed in the Karakalpakstan State Museum of Art, Nukus, named after I.V. Savitsky.

During WWII Falk was evacuated to Bashkiriya with the Jewish Theatre. From there he moved to Samarkand, where he taught in the School of Fine Arts.

Igor Savitsky, a graduate of the Moscow Institute of Art was also evacuated to Samarkand in the same period. He was painting the same model as Falk.

The young model preferred the portrait by Falk as she thought it made her beautiful and subsequently Savitsky destroyed his painting.

suzanis in art works, uzbekistan emborideries suzanis, art craft textile tours uzbekistan
Bukhara Masters, P.I. Kotov, 1920s

P. I. Kotov travelled extensively in Central Asia in the 1920s. The painting above now hangs in the Tretyakov Gallery, Moscow.

The portrait below of Munzim Mirzo Abduvahid Burkhan Zade was painted in 1912 by Dimitriev - no other name details are known. It is hanging in Bukhara's Contemporary Art Museum. Very little is known of the artist. However, the artist has captured a face full of vigour with thoughtful eyes, his arm gently resting on a suzani.

suzanis in art works, uzbekistan emborideries suzanis, art craft textile tours uzbekistan
 Portrait of Munzim Mirzo Abduvahid Burkhan Zade,  1912 by Dimitriev

Pavel Benkov came to Bukhara in 1928 and then settled in Samarkand in 1930.  It was a richly creative period in the artist's life and many portraits were undertaken that were exhibited in Moscow in 1961.

suzanis in art works, uzbekistan emborideries suzanis, art craft textile tours uzbekistan
Emir Official, Pavel Benkov 1929

suzanis in art works, uzbekistan emborideries suzanis, art craft textile tours uzbekistan
Samarkand Suzani Embroidery, Samarkand painter Namoz Sultanov.

With the recent rise of travel in Central Asia and export of suzanis and ikat textiles around the world, suzanis appear in contemporary art pieces. A selection is below.


suzanis in art works, uzbekistan emborideries suzanis, art craft textile tours uzbekistan
Watermelon, Bananas, Suzani, Janet Fish 2009  

suzanis in art works, uzbekistan emborideries suzanis, art craft textile tours uzbekistan
Suzani, 2018 Carlo Russo

suzanis in art works, uzbekistan emborideries suzanis, art craft textile tours uzbekistan
Suzani Chair,  Linda Arthurs

Related posts:
Ikat Textiles in Art
The Birth of Suzani - Madina Kasimbaeva's Exhibition, Tashkent
Uzbek Suzanis: Like Flowers in the Sand 
Valentino Haute Couture Meets Suzani 


Sunday, November 3, 2019

Soviet Metro Stations

soviet metro stations herwig, tashkent metro stations, art craft small group tours uzbekistan
Metro Station Uralmash, Yekaterinburg, Russia - cool, strong women.
And are they computers? Image: Christopher Herwig
Anyone interested in Soviet design will love this book. Christopher Herwig - who put together the splendid two-volume series "Soviet Bus Stops" - has  photographed the stations of each Metro network of the former USSR.

Tashkent's glorious subterranean system, the most opulent of all after Moscow and Leningrad, is a reminder that Tashkent was the fourth largest city in the USSR.

It was a hugely important metropolis and a deliberately conceived model for visitors from post-colonial countries, showing the benefits of Soviet-style socialism.

Rather than the straightforward systems of London, Paris or New York, Soviet networks were used as a propaganda artwork―a fusion of sculpture, architecture and art that combined Byzantine, medieval, baroque and constructivist ideas and infused them with the notion that communism would mean a “communal luxury” for all.

Today these astonishing spaces remain the closest realization of a Soviet utopia. 

As well as stunning photography, the book includes a comprehensive essay on the history and designs of Soviet metros by leading British writer Own Hatherley, who writes primarily on architecture, politics and culture.

Here is an extract from the press release : "From extreme marble and chandelier opulence to brutal futuristic minimalist glory, Soviet Metro Stations documents this wealth of diverse architecture. Along the way Herwig captures the elements that make up this singular Soviet experience: neon, concrete, escalators, signage, mosaics and relief sculptures all combine to build a vivid map of the Soviet Metro".

Published by innovative London-based design and publishing house, FUEL, this is a book to treasure. And to give to friends who dig Soviet style.

More images below.

Related posts:
Uzbekistan's Secret Underground
Soviet Asia: Soviet Modernist Architecture in Central Asia 
Almaty, Kazakhstan - Riding the New Metro
Holidays in Soviet Sanatoriums 
Azerbaijan: Baku's Metro
Kyrgyzstan's Bus Stops
Back in the USSR: Soviet Roadside Architecture

soviet metro stations herwig, tashkent metro stations, art craft small group tours uzbekistan
Entrance to Minsk metro station Kastryčnickaja, Belarussia. Image: Christopher Herwig
 
soviet metro stations herwig, tashkent metro stations, art craft small group tours uzbekistan
Prospekt Bolshevikov Metro Station, St.Petersburg, Russia. Image: Christopher Herwig


soviet metro stations herwig, tashkent metro stations, art craft small group tours uzbekistan
Shuliavska Metro, Kiev, Ukraine. Image: Christopher Herwig

soviet metro stations herwig, tashkent metro stations, art craft small group tours uzbekistan
Olmazor metro, Tashkent, Uzbekistan. Image: Christopher Herwig

soviet metro stations herwig, tashkent metro stations, art craft small group tours uzbekistan
⁠Metro station Prospekt Kosmonavtov, Yekaterinburg, Russia. Image: Christopher Herwig

Thursday, October 17, 2019

Uzbek Architectural Details: "A Stitch in Tile" Exhibition, 12 - 18 October

islamic tiles needlepoint tapestry, natalie fisher uzbekistan travels tapestry, uzbek art craft textile tours
Tiles and tapestry at Shah-i-Zinda necropolis, Samarkand. Image: Natalie Fisher
Sydney-based needlepoint artist Natalie Fisher's latest exhibition, at Rozelle's Persian Rug Co, is a  wondrous display of needlepoint tapestries inspired by Islamic tiles and architecture.

Natalie hand stitches with pure wool to represent the intricate geometric patterns of centuries-old tiles in the Islamic world.

The two ancient techniques of hand stitching and tile-making date back centuries and are traditions still practised today.

Her works have been mostly inspired by her own travels and designed from her own photographs. She travelled to Uzbekistan in May 2019.

She says of her style: "I believe my work challenges widely-held traditional perceptions of tapestry as quaint, domestic and conservative, to portray artworks that  present the medium in a new, contemporary and bold light. 

I  perceive my style of tapestry stitching as part of an artistic movement, as my technique of applying wool to a needlepoint canvas has parallels to the way in which an artist applies paint to an art canvas".

Natalie graduated with a degree in Landscape Architecture from the University of New South Wales, which introduced her to the intricacies of flora, a subject explored in depth in her early work. She was invited to exhibit at London's Chelsea Flower Show.

As well as exhibiting at major museums and galleries in Australia, Natalie also exhibited at the Sharjah Islamic Arts Festival, UAE, in December 2017.

islamic tiles needlepoint tapestry, natalie fisher uzbekistan travels tapestry, uzbek art craft textile tours
Tile and tapestry inspired by Zangiata mosque Tashkent. Image: Natalie Fisher
Each of Natalie's pieces takes many weeks or months to produce. There are thousands of stitches in every tapestry. The time taken depends on the size, the complexity of the design, and the number of colours.

One of her most popular works 'Moroccan Mile' is 2.4m long, contains 346,636 stitches and took nine months to create.

She mixes different shades of colour in individual stitches to work in a modern realist style.

If you miss the Sydney exhibition, you can learn more about Natalie's stunning work on her website Art Weave Originals.

Her Instagram feed includes fabulous photos and there are videos on her Facebook page that overview her creative process. And several interesting images below reveal her techniques and pieces.
 

Related posts:
The Birth of Suzani - Madina Kasimbaeva's Exhibition, Tashkent
Robert Rauschenberg: Samarkand Stitches
In Search of Lost Paradise - Woodblock Exhibition, Tashkent
Sacrament of Magic Yarn - Madina Kasimbaeva's Exhibition, Tashkent

islamic tiles needlepoint tapestry, natalie fisher uzbekistan travels tapestry, uzbek art craft textile tours
Uzbek gentleman at Shah-i-Zinda necropolis, Samarkand, examining Natalie's work. Image: Natalie Fisher


islamic tiles needlepoint tapestry, natalie fisher uzbekistan travels tapestry, uzbek art craft textile tours
Contrast of tile and tapestry. Image: Natalie Fisher
 

islamic tiles needlepoint tapestry, natalie fisher uzbekistan travels tapestry, uzbek art craft textile tours
Contrast of tile and tapestry. Image: Natalie Fisher

islamic tiles needlepoint tapestry, natalie fisher uzbekistan travels tapestry, uzbek art craft textile tours
Selection of Natalie Fisher's work. Image: Natalie Fisher


islamic tiles needlepoint tapestry, natalie fisher uzbekistan travels tapestry, uzbek art craft textile tours
Natalie Fisher at the 2017 exhibition in UAE.

Monday, October 7, 2019

In Rural Kyrgyzstan, Coding Caravan Encourages Girls’ Leadership and Entrepreneurship

kyrgyzstan girls project computers coding, kyrgyzstan small group art tours
Participants of the coding caravan in rural Kyrgyzstan. Photo: Mirdan Akinov
In rural Kyrgyzstan, the first ever Technovation Coding Caravan for girls has taught more than 600 girls the basics of computer programming. Launched in Talas Province, the caravan reached Issyk-Kul, Naryn, Jalal-Abad, Batken, and Osh provinces this spring.

"I used to think that only men can code and become a programmer. Now I want to study programming, pursue my career in science, technology, engineering, and mathematics (STEM)," said Erkinai Omurzakova, a participant from Jalal-Abad Province.

Omurzakova and the other girls aged 10-18 practised prototyping mobile applications, and working in teams, learned to conduct marketing research, write business plans, make videos and presentations and discussed solving socioeconomic problems of Kyrgyzstan through technology.

"I always wanted to become a programmer, but others used to tell me that this career is not for me," said Alina Baktybekova, a participant from Issyk-Kul Province. "After participating in the training, all of my doubts and fears disappeared. I’ve decided to follow my dream!"

The caravan inspired rural girls to participate at the annual Technovation Challenge, the world’s largest global tech entrepreneurship competition for girls, which will take place in 2020. The coding caravan, supported by UN Women, offers girls around the world an opportunity to learn the necessary skills to emerge as tech entrepreneurs and leaders.

kyrgyzstan girls project computers coding, kyrgyzstan small group art tours
Coding Caravan participants during a session on the
development of a website, Talas, Kyrgyzstan. Photo: Mirdan Akinov
"I grew up in Talas Province. The fact that I myself came from a rural area made girls believe in themselves even more," says Ainura Sagyn, a UN Women partner and Technovation Regional Ambassador.

She is also one of the top women in tech in the region and founder of WasteToWealth, an online platform to encourage re-use of recyclable waste. "The Technovation Coding Caravan is just a small seed which, I hope, will lead to empowerment of hundreds of rural girls pursuing careers in STEM."

"Unfortunately, in Kyrgyzstan and all over the world there is a low representation of women in STEM," said Ulziisuren Jamsran, Representative of UN Women in Kyrgyzstan. "UN Women promotes empowerment of women and girls, especially those who have limited access and resources, to realize themselves in STEM”.

Technovation Coding Caravan for girls is led by the UN Women partner Technovation with support of the UN Women Kyrgyzstan Country Office, US Embassy in the Kyrgyz Republic, and a network of the top talent in business, design, and technology in the world – TopTal.

This article was first published 8 August 2019 on UNWomen. 

Related posts
Kyrgyzstan Ends Statelessness in Historic First
Kyrgyzstan Instagram Star Comes of Age and Flies the Nest
Kyrgyzstan: Social Entrepreneur Finds Foothold in Tien Shan Foothills
Kyrgyz Space Program: Creating the First Kyrgyz Satellite Ever & It Will be Built by Girls 

kyrgyzstan girls project computers coding, kyrgyzstan small group art tours
In Osh, Kyrgyzstan, Coding Caravan participants learn and practice coding skills using the programming language Scratch. Photo: Aikanysh Kerimkulova


Tuesday, September 17, 2019

Ikat Textiles in Art

Long before Oscar de la Renta worked with Ferghana ikat master Rasuljon Mirzaakhmedov and brought about a revival in ikat weaving, artists in the early 20th century were incorporating ikat patterns in their paintings.

Here are some splendid examples.

ikat textiles paintings, ikat art 19th 20th century art, uzbekistan art textile tours
The Reader by Felix Vallaton, 1922
ikat textiles paintings, ikat art 19th 20th century art, uzbekistan art textile tours
Portrait of K.B. Kustodiev by Boris Kustodiev, 1922

ikat textiles paintings, ikat art 19th 20th century art, uzbekistan art textile tours
Odalisque with Red Box by Henri Matisse, 1952



ikat textiles paintings, ikat art 19th 20th century art, uzbekistan art textile tours
Portrait of a Young Gentleman Seated on a Sofa, by Nicolette Meeres

ikat textiles paintings, ikat art 19th 20th century art, uzbekistan art textile tours
Samarkand by Kuzma Petrov-Vodkin, 1920s


ikat textiles paintings, ikat art 19th 20th century art, uzbekistan art textile tours
To the Train by Victor Ufimstev, 1927 (View it at the Savitsky Museum, Nukua)
ikat textiles paintings, ikat art 19th 20th century art, uzbekistan art textile tours
Tajik with Teacup by Pavel Benkov, 1929 (View it at Bukhara Museum of Contemporary Art).
ikat textiles paintings, ikat art 19th 20th century art, uzbekistan art textile tours
Zorah on the Terrace by Henri Matisse, 1912
ikat textiles paintings, ikat art 19th 20th century art, uzbekistan art textile tours
A Rich Kyrgyz Hunter with Falcon by Vasily Vereshchagin, 1871
ikat textiles paintings, ikat art 19th 20th century art, uzbekistan art textile tours
Carpet Seller (Tartar) by Boris Kustodiev, 1920
Related posts:
A 19th century Georgian Painter in Uzbekistan - Gigo Gabashvili
Robert Rauschenberg: Samarkand Stitches
Central Asia in Art: From Soviet Orientalism to the New Republics  
Celebrities in Ikat

Friday, August 30, 2019

Kyrgyzstan: Women Bring Change Through Water, Technology and Better Infrastructure

kyrgyzstan farming water management, kyrgyzstan women farmers, kyrgyzstan small group art craft tours
A typical rural family farm in Kyrgyzstan
Shakhodat Teshebayeva from Khalmion, a village in southern Kyrgyzstan bordering Uzbekistan, is 50 years old and the sole breadwinner of her family.

Her income comes from farming, working for 8-10 long hours in the fields every day. She doesn’t shy away from the hard work, but lately, the hard has become impossible, because of the growing water crisis.

The crisis, which is worse in spring and summer, stems from a combination of factors. As the mountains get less snow because of climate change, the glacier-fed rivers don’t have enough water. The dwindling water source is the same for Uzbekistan and Kyrgyzstan, and as Uzbek farmers across the border start irrigating their fields in spring, the Kyrgyz farmers living down river experience water shortage.

The lack of access to irrigation water in this area, where agriculture is the mainstay, has hard consequences. Women and girls often bear the brunt of the problem, as water collection is considered a women’s chore. As the water source dwindles, they have to walk further and longer to fetch water, even after dark.

"Lack of access to water harms my agricultural production, food security and business opportunities in the local bazaar," explains Teshebayeva. "Fetching water during the night is a daunting task as it puts us women at risk of violence and carrying it over long distances can have lasting health effects".

Two years back, Teshebayeva decided to take matters into her own hands and mobilized a women’s self-help group to advocate for equal access to water resources in her community. As a first step, she started attending the village Water Users Association meetings, which were dominated by men and decisions about water access were taken without women.

"When I started to participate at the meetings, many said behind my back that I did it as I had nothing better to do," said Teshebayeva. But all the talk didn’t dissuade her. Teshebayeva continued to voice women’s challenges at the meetings and offered solutions. She became the first woman in the history of her village to advocate for women’s participation in water management.

Through a livelihoods project funded by the Government of Finland, UN Women has facilitated the establishment of 14 women’s self-help groups in southern Kyrgyzstan that now have 170 members. The project provided skills training to boost women’s income and connected them with Water User Associations and local-self-governments so that women could have a voice in water management decisions that impacted their daily lives, livelihoods and safety.

kyrgyzstan farming water management, kyrgyzstan women farmers, kyrgyzstan small group art craft tours
Shakhodat Teshebayeva shares her best practices on water management with the women from different regions.

"Prior to the project launch the situation was difficult for women. Women were afraid to irrigate the fields at night," continues Teshebayeva. "We used to collect water strictly in turns as per the schedule agreed at public gatherings where women had no say." The result was a prevailing sense of insecurity among women and low harvest as they often missed turns due to safety concerns.

Teshebayeva has been a trailblazer for other women in her village as she managed to negotiate water supply during the day-time and flexible schedules for irrigation for women farmers, especially single heads of households. She also encouraged more women to participate at the village meetings to advocate for women’s equal and safe access to irrigation water.

As a result of the work of partners and UN Women, the number of women participating at the decision-making level in Water User Associations has increased from 13 to 124 women in the 14 self-help groups between 2016 and 2018.

These numbers matter. "The project ensured that women’s voices are heard and taken into account in water resources management by empowering them to be active participants in addressing inequalities related to access to and control over water," says Anara Aitkurmanova, UN Women Project Coordinator.

About a hundred kilometers (62 miles) north-east of Khalmion, the village of Naiman used to have similar challenges. Its main water source had been contaminated with mercury for years and access to safe drinking water and cultivable land were key issues for the community. The young and able were migrating out of the village, leaving an older and dwindling population behind. Through women’s self-help groups and peer educators among young girls and boys, the UN Women project facilitated women’s participation in water management, with great results.

kyrgyzstan farming water management, kyrgyzstan women farmers, kyrgyzstan small group art craft tours
Shakhodat Teshebayeva learns how to calculate the expenditures for making greenhouses (center) in her home garden.

Roza Shamaeva, who worked closely with the project, is the first female head of the village and a force to reckon with. She says, "through the UN Women-led project, I informed people about fair and equitable distribution of water resources and how to effectively use land and water for sustainable agriculture. I hope that the positive changes we’ve achieved will prevent young people from migrating so that we can work together for the development of our village."

Shamaeva was re-elected as the head of Naiman rural district for the second time in 2018. She has brought not only water, but also electricity and better street lighting to Naiman, restored irrigation infrastructure and convinced the local population about the need for efficient water management and timely payment of their water bills.

Because of her advocacy, farmers in her community have started applying modern and sustainable agricultural methods such as drip irrigation and composting. As a result, the harvests are better and have less impact on the environment.

For villages across Kyrgyzstan, water management is a woman’s issue; and making sure women can inform and shape decisions on water management needs to become everyone’s issue.

This article was originally published by UN Women in March 2019

Related posts:
Farmers in Kyrgyzstan Try to Capitalize on Global Quinoa Fad
Kyrgyzstan: Social Entrepreneur Finds Foothold in Tien Shan Foothills
Kyrgyzstan: Yurt Preschools Reach Nomadic Children
Kyrgyzstan Ends Statelessness in Historic First 

Monday, July 29, 2019

Georgia: Tbilisi's Auto Museum

tbilisis georgia car museum, auto museums tbilisi georgia, tourism georgia tours
Moskvich 403E
I had no idea how interesting a car museum could be until I visited Tbilisi's Auto Museum. Highly recommended.

Founded by Georgian businessman and collector Giorgi Mamulashvili, this private museum boasts over 30 models of superbly restored, iconic Soviet vintage cars and motorcycles. It is one of the world's largest collections of Soviet vehicles.

Museum director, Rezo, guides visitors with fascinating tales of each and every car - in Russian, English and Georgian. Many have been sourced from former Soviet republics.

Post WWII, the Soviets competed not just in the space race, but on every level to demonstrate the superiority of their political system.

Soviet engineers modelled cars from European and American designs - at times these were blatant copies, at other times cool elements from a foreign model were incorporated into a Soviet car.

In the 1960s, private car ownership was on the rise and it was decided to build a "people's car". For reasons of cost-efficiency, they chose to sign a licence agreement with a foreign company and produce the car on the basis of an existing, modern model. Several options were considered, including Volkswagen, Ford, Peugeot, Renault and Fiat.

tbilisis georgia car museum, auto museums tbilisi georgia, tourism georgia tours
Volga GAZ M21
The Fiat 124 was chosen because of its simple and sturdy design, being easy to manufacture and repair. The plant was built in just 4 years (1966–1970) in the small town of Stavropol Volzhsky, which later grew to a population of more than half a million.

Stavropol was renamed Togliatti to commemorate Palmiro Togliatti, the Italian politician and leader of the Italian Communist Party.

The first VAZ-2101, named Zhiguli within the Soviet Union and Lada for export markets, was a rugged model to handle the poor roads, Ladas were also designed to be easily maintained by owners as there were few auto-repair shops.

The museum includes models of the much-feared KGB cars, that could accelerate incredibly fast to nab people off the streets, or follow foreign diplomats! There are Zaporozhets, Chaikas and Pobedas. All the vehicles are registered and participate in various regional festivals. I happily spent two hours there. (More photos below.)

How to visit:

The museum is in an industrial complex and can be a tad difficult to find. Catch the metro to Varketili and then a taxi. The museum is about 5 kms away via the Kakheti Highway Service Rd - ask the driver to wait. (Better still invite the driver to the museum). Round trip taxi fare and waiting time was about US$12.

Address: Auto Museum Street #7 next to Grigol Lortkipanidze street
Telephone: +995 599 54 56 28 (Keep it handy so the driver can call if lost).
Opening hours: Daily except Mondays, from 11:00 - 18:00.
Entrance fee: GEL 10 (about US$3.50)

Related posts:
Georgia: State Silk Museum, Tbilisi
A 19th century Georgian Painter in Uzbekistan - Gigo Gabashvili
The Blue Tablecloths of Georgia: New Life of an Old Tradition
Georgia: Soviet Modernist Mosaics from 1960 to 1990

tbilisis georgia car museum, auto museums tbilisi georgia, tourism georgia tours



tbilisis georgia car museum, auto museums tbilisi georgia, tourism georgia tours

tbilisis georgia car museum, auto museums tbilisi georgia, tourism georgia tours